Guwahati: A cultural and spiritual discourse on Chiya Geet, a unique and lesser-known musical tradition of Assam, was held at Assam down town University, highlighting the urgent need to preserve the fading art form.
“Preserving and promoting Chiya Geet, a unique treasure of Assam’s musical heritage, is the responsibility of culturally aware individuals. Otherwise, due to neglect and lack of practice, this musical tradition may disappear,” said noted Chiya Geet artist Hiranyaprabha Nath, recognised as the first All India Radio-approved artist of the genre.
She was speaking at a discussion and performance session titled “The Cultural and Spiritual Significance of Chiya Geet”, organised by the Department of Performing Arts under the Faculty of Humanities and Social Sciences, in collaboration with the Internal Quality Assurance Cell.
Chiya Geet researcher Bhadrakanta Nath, who also participated in the discussion, emphasised the devotional essence of the tradition. “Chiya Geet expresses spiritual emotions through music. The word ‘Chiya’ refers to praise or remembrance of God. These songs are not merely musical compositions but represent a deep bond with spiritual and traditional social practices,” he said.
Elaborating further, he discussed the musical structure, mythological roots, and spiritual expressions embedded in Chiya Geet. He also highlighted the role of traditional instruments, the influence of modernisation, and the importance of local language in preserving its authenticity. The discussion touched upon the emotional dimensions (rasas and bhavas) in the songs, particularly their connection to Vaishnavite devotional traditions and their contribution to Assamese socio-cultural life.
The speakers also raised concerns over the challenges faced by Chiya Geet artists amid changing cultural trends and lifestyles.
The event featured live performances by Hiranyaprabha Nath and accompanying artists, showcasing different styles of Chiya Geet.
The welcome address was delivered by Professor Bandana Dutta, Dean of Studies, who also felicitated the speakers and performers. Dr. Pratiti Barman, Dean of the Faculty of Humanities and Social Sciences, highlighted the broader challenges confronting folk arts in contemporary times.
The session was moderated by Assistant Professor Hirakjyoti Das and attended by students and researchers of performing arts from various institutions across Guwahati.
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